Thursday, December 3, 2020
Sunday, November 22, 2020
RESEARCH: AUDIENCE QUESTIONAIRE
I have used Google Forms
to create my audience questionnaire to send out to my peers, teachers
and family. It is useful as it is easily accessible and the simple layout
allows for the receiver to answer the questions quickly and clearly. It was
very simple to set up and was not complicated.
The aim of my
questionnaire is to gauge greater knowledge of our target audience’s interests
and more desirable features in a horror/thriller film. By having knowledge of
our audiences’ desires, we can cater our film for their needs which will mean
that our film will be the most successful it possibly could be. We have decided
to publish it on our blogs, after we email it out to the people who we want to
fill it out.
My questions began with
personal questions about the person filling out the form which started with
asking their age of either ‘older than 35’ or ‘younger than 35’ as we would
like our film to attract many age groups if possibly. By asking their age and
gender we can categorise people and discover the patterns which occur in
different genders and ages so that we can make sure to include everyone’s’
needs. I then go on to ask about their like for horror and thriller films and
in turn which they prefer. We have decided that our film is to be a mixture of
elements of horror films and that thrilling element of a thriller film. Our
target audience is people from the ages of 15-25 as this is the age where
horror films are the most popular as young adults and late teens enjoy the
thrill more than the older generations. However, we do not want to exclude the
older generations as the wider the audience, the better. By discovering which
genres our target audience prefer, along with the older generations, we can
decide which elements we will implement in our film and which ones would not be
as popular.
https://docs.google.com/forms/d/e/1FAIpQLSeF-bVDLTYYJIqHKuRfAXXYYSVNwdUm5Pm12_Kz9XdbuapyoA/viewform
Friday, November 20, 2020
PLANNING: TREATMENT
My
Group's treatment:
In our story, we
follow the life of a woman called Sarah and the journey her stalker takes in
weaving her way into the different aspects of her life whilst continuously
taking and producing pictures of her. Sarah is a prominent player in her
Lacrosse team and is excelling at her new position in a photography company as
an assistant. A mysterious figure continues to appear as Sarah and her share
various encounters which develop into meetings and even one on one exchanges. The
distinctive features on her hand, such as a ring and a birthmark are constantly
shown without her face being revealed to identify the stalker. Slowly Sarah
begins to realise an unsettling presence in her life and she becomes warier of
her surroundings. Although she doesn’t pin-point a person, she sees a camera
flash from outside her bedroom window. Sarah begins to discover various
pictures of herself with constructive comments written at the bottom. Finally, towards
the end, Sarah is using the developing room and a picture which she has
previously received is lying in the tray as the door opens and footsteps are
heard.
Top line and big question:
We decided our top line to be: 'Jealousy transforms into an obsession which leads to an unknown woman producing photos and film of her aquaintance as she stalks her everyday activities.'
Our big question for our opening sequence is: Will she discover her stalker's identity?
Thursday, November 19, 2020
PLANNING: MY TARGET AUDIENCE
1. Who is my primary target audience?
Our
target audience would be 15-25-YEAR-OLD British boys and girls. This main age rage
is due to teenagers and young adults being the most likely to watch horror
films as they enjoy the thrill more than the older generations. It might
attract a larger female viewing due to the lead character being female.
2. What kind of films and
television are they likely to prefer?
They would enjoy thrilling television series and
action based dramas as our film opening is based around the suspense of a psychopathic
stalker’s journey with the victim. The realism of the film would also attract people
who watch horror films based on true events as we have chosen to base our ideas
around psychopaths rather than the supernatural threats such as ghosts and demons.
For example, the Netflix series YOU is
based on a psychopathic stalker as he narrates through his life as a stalker
and how he targets his victims. This encompasses the fear of the unknown as he
is presented as a normal person who his victim interacts with, unknowing of his
dangerous natures.
3. What platforms do they choose
to watch films and where are they likely to see information about films?
Our viewers would be in the younger generations of
late teens and Netflix is the most popular viewing platform at the moment. They
may also watch films or television on Amazon Prime as that is a popular
alternative if the film is not available on Netflix. They are most likely to
see information about films through the various social media sites that they
use. For example, Instagram is commonly used to promote films along with
Facebook for the older generations.
4. What brands do they prefer?
The brands that younger people prefer would include
brands such as Nike and Adidas as our film has a sports element in it which
could entice a sportier audience. Women from ages 15-25 also shop in shops such
as Urban Outfitters as it is a popular clothing brand which also incorporates
different brands which include Adidas and Nike.
5. What makes my film stand out
from the competition?
Our film is going to have a female lead which is
not often the case in the film industry, however, women are more likely to be
portrayed as the victim so we have made sure to make the stalker a woman too
which is less common.
6 . Why should my audience watch my film?
Our target audience should watch our
film because it incorporates many popular elements of a horror film and
combining this with popular elements of psychologically thrilling TV series. It
also has a female lead which promotes female power in the film industry along
with challenging the stereotype of having a male stalker. The realistic style
of our film also maximises the shock and tension as it is a regular, relatable
situation that the stalker and victim meet.
Friday, October 23, 2020
Continuity Exercise
Continuity Exercise:
Aim: To create a storyboard and a brief film which occurs between two or more individuals.
We did the editing and filming in the app iMovie on my phone.
Table-Top
Our Table-Top Exercise:
To introduce us to the idea of a table-top exercise we watched some table-top filming from the films 'To kill a mocking bird' and 'Delicatessen’ which helped to provide different ways of introducing elements of a film through the symbolism of items. We discussed the key conventions as a group which included the birds eye view filming angle and the importance of having appropriate music to accompany the theme of our items.
RESEARCH: TITLE SEQUENCES
Director: Cathy
Yan
Writer: Christina
Hodson
Producer: Margot
Robbie
Producer: Bryan
Unkeless
Producer: Sue
Kroll
Executive producers:
Walter Hamad, Galen Vaisman, Geoff Johns, Hans Ritter, David Ayer
Based on:
Characters from DC
Director of
photography: Matthew Libatique
Production designer:
K.K. Barrett
Editors: Jay
Cassidy and Evan Schiff
Co- producer: Christina
Hodson
Music: Daniel
Pemberton
Music supervisors:
Season Kent and Gabe Hilfer
Visual effects supervisor:
Greg Steele
Costume designer:
Erin Benach
Casting: Rich
Delia
Cast:
Margot Robbie
Mary Elizabeth Winstead
Jurnee Smollett-Bel
Rosie Perez
Chris Messina
Ella Jay Basco
Ewan McGregor
Distributor: Warner
Bros Pictures
Producer: Luckychap
Entertainment
Producer:
Clubhouse Pictures Production
Producer: Kroll and
Co Entertainment Production
Black Panther
Director: Ryan
Coogler
Writers: Joe Robert
Cole and Ryan Coogler
Producer: Kevin
Feige
Executive producers: Louis
D’esposiro, Nate Moore, Jeffrey Chernov, Stan Lee and Victoria Alonso
Co-producer:
David J Grant
Comics by: Stan
Lee and Jack Kirby
Director of
photography: Rachel Morrison
Production designer: Hannah
Beachler
Editors: Michael
P. Shawver and Debbie Berman Ace
Costume Designer:
Ruth Carter
Visual effects
supervisor: Geoffrey Baumann
Visual effects
producer: Lisa Beroud
Music: Ludwig Goransson
Original songs by:
Kendrick Lamar
Music Supervisor: Dave
Jordan
Casting: Sarah
Halley Finn
Cast:
Chadwick Boseman
Michael B. Jordan
Lupita Nyong’o
Danai Gurira
Martin Freeman
Daniel Kaluuya
Letitia Wright
Winston Duke
Sterling R. Brown
Angela Bassett
Forest Whitaker
Andy Serkis
Marvel Studios
Thursday, October 15, 2020
DIGITAL STORYTELLING
I watched a video by Frank Ash who is the creative
consultant of the BBC. It was based on the explanation of digital storytelling
and how to entice the audience and connect with them. This is done by creating suspense
and intrigue throughout the film by creating an interesting and relatable
storyline.
I can use this for my own film opening by focusing on the ‘big
question’ which I can revolve my production around along with the consideration
of what’s in it for the audience to subsequently create intrigue.
RESEARCH: DISTRIBUTION COLLAGE
This film was extremely
successful, making $903.7 million in box office. This was due to the intrigue people had of the
group Queen prior to the film but also due to 20th Century Fox’s methods of distribution
which captured peoples’ attention.
Trailer:
The main trailer released
by 20th Century Fox. It begins with the combination of the songs ‘We
Will Rock You’ and ‘Bohemian Rhapsody’ which are famous songs of the band Queen.
As it plays, multiple images are shown of the knocking on a caravan door and
who we assume to be Freddy Mercury sitting up followed by a close up shot of a
guitar. The words ‘THE ONLY THING’ are shown on the screen. Multiple images of
musical instruments and sets follow this with a point-of-view shot eventually
revealing the stage looking out onto thousands of fans. Other snippets of the
film follow which show friendship, drama and sadness. Suspense and intrigue is
built by these small clips as they touch on iconic moments of the band’s
musical history which suggests the nostalgic element to the film which are
important for Queen’s fan base.
Website:
The team have also
created a website for the film which can be found by searching in ‘Bohemian
Rhapsody’. When you open the website it takes you to a page with a purple and
yellow gradient poster with ‘Freddy Mercury’ on stage with a microphone. This
is a very captivating and bold image which possibly captures the attention of
the person viewing the website. The simple layout reveals two buttons which
lead you to ‘buy tickets’ and the ‘trailer’ button takes you to the YouTube trailer.
If you scroll down it also gives some helpful information including a brief
summary of the film and its genre. It includes the social medias for the film
and a few credits for the director and producers.
Social Media:
On social media, an Instagram page was set up called ‘bohemianrhapsodymovie’. It has gained 737,000 followers over the last 2 years. This expands the target audience for the film as teens, who would not have been around at the time of Queen, would be introduced to the film as it would pop up on their Twitter or Instagram feed. It posted snippets of the film up to the release date which helped people to track the film and view small parts of it. The social media following is also used to show the success of the film; including the reviews which are poster on Twitter to publicise the success. The cast members also used their platforms to entice their fan bases by posting teasers of the film along with links to the trailer.
CD:
After the film was
released, a CD for the soundtrack of the film was released digitally and in a
hardcopy CD. This continued the revenue of the film as these iconic songs were
complied, once again, onto a CD with the biggest hits included. This might have
enticed a younger audience to purchase it on Spotify or on Apple Music, rather
than in the form of a CD. Producing both of these includes a wider range of
ages as it is producing a method for everyone to listen to the music.
Posters:
Multiple posters were
produced for the purpose of advertising the film. They could be seen at bus
stops, outside cinemas and online for purchase. Utilising the actual events of
Queen, many of the posters featured the actor Rami Malek recreating iconic
moments of Freddy Mercury in the band Queen. This is effective in highlighting
the memorable events of Queen and showing the audience of Queen’s time that
these will be included. This nostalgic element to the posters (and film in
general) intrigues the, already huge, fan base which was pent up throughout the
years of Queen.
Wednesday, October 7, 2020
Friday, June 26, 2020
RESEARCH: Art of the Title
I chose this title sequence because it reminds me of female empowerment and
I think that is becoming more prominent in today’s films and is something that
I strongly believe in.
The title sequence begins with the introduction of the song
'Celebrity skin' by Hole as we see a beam of light shooting into the red sky.
This music is asynchronous to what we are seeing but this creates mystery as to
what the rocket sounds like and what this alternate place is like. As the
sequence progresses a woman is introduced in shots which slowly reveal more of
her face. The background has a red wash over it and seems alien to us and
suggests that the film is set in space. The lack of any other sounds leaves us
wondering what non-diegetic sounds we might hear in space and what appears to
be the woman's home. We then see a bright light shooting up and planes
following it. The bright light is assumed to be captain Marvel and the planes
might suggest that she is being chased which creates intrigue for the audience
in her safety. Alternatively, they could be the planes of people who follow her
but the shots of her continuously alone suggest otherwise. However, she then
walks out alone thought huge doors to two lines of these planes. This shot is
impactful as it highlights the possibility of a large following that she has
and her walking alone suggests her high authority.
The shot goes from a black hole which suggests that it is based in space
and then we are shown an image of a cat and the beam of light going into the
pupil of its eye. This suggests supernatural activity as it is a confusing
image and abstract to what we see normally. Continuing the song throughout the
film sequence means that we are focusing more on the images than we are the
sound as there is a lack of fidelity between the images and sound so we cannot
gather more information from the sounds. We are then shown an image of Captain
Marvel with her eyes covered in a beaming light. This highlights how different
she is from normality and helps the audience to see her as more powerful and
interesting. The upbeat rhythm of the song creates a powerful atmosphere for
the images to be shown in.
We are then shown a series of different characters, each being given
their own individual stance and shot. This quick introduction of new characters
leaves us asking questions as we are only shown their faces and in some circumstances,
the face is covered leaving even more to the imagination and curiosity. A fight
scene is then briefly shown to us which influences us to think that there is
conflict in the film and sets the mood of the film and the theme of some
violence and conflict. This further emphasises the power of Captain Marvel. An
eye comes on the screen with earth from a satellite view which again implies
that it is set from space and that she is of an alien nature with her powers
too. Finally, we see her zooming into the sky again with the title ‘Captain
Marvel’ and then a bright light and darkness. The continues use of light
suggests that she is the hero as light can be interpreted to mean purity.
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