Silence of the Lambs:
The title sequence
starts with the non-diegetic sound of classical music as a starry image with a
dark background is shown on the screen. Then eight stars are visible as they
slowly move into a formation of a circle. The calming music combined with the
beautiful stars creates a captivating start to the title sequence which
highlights the motion picture company which is Orion Pictures. This is
strategic marketing. The image then fades to black with the music continuing.
Then an image of a tree appears as the music is altered to have lower notes
being played which implies an ominous atmospheric change. Ambient sounds of birds
and crickets suggest a rural setting of a woods for the tree to be situated
instead of a private garden. The camera then pans down and zooms in so that we
are shown more of the woods as two paths become visible through the branches of
the trees. A woman can then be seen running quickly up the hill and pulling
herself up with the rope attached to the bank. This show is impactful as it suggests
urgency and possible danger which is hidden to the audience but implied through
the diegetic sound of her heavy and rapid breathing. However, as the camera
gets closer to her face and she slows down towards the top, it is clear that
she is not in any immediate danger as she is seen to half-smile.
A tracking shot
then follows behind her as she is running through the woods with her sweater
visibly covered in sweat which implies her exhaustion due to her running. The
camera then does a zoomed tracking shot of her face which is also covered in
sweat. Another tracking shot from the side follows her movements through the
forest which appear to speed up and become more frantic as the non-diegetic
music’s tempo picks up to mimic the girls’ running. This combination raises the
tension as it is emphasising her speed along with the setting of desolate woods
which may be done to lead the audience to suspect possible danger as the fog
ahead could be seen as shielding something dangerous. These different tracking
shots are continued to reveal a difference in her expression which appears to
be more pained and angst which is assumed to be part of her exhaustion. A rope
wall appears as she runs towards it and a panning shot shows her climbing over
it and continuing to run towards an obstacle of wooden benches. This suggests
that these woods are intended for some form of training which is reiterated
when someone can be heard to call ‘Sterling’ from out of shot which is followed
by a man running towards the girl. She is told that she has to see someone in
their office which she responds to with ‘Thankyou sir’ and runs back the way she
came. We are left with a reaction shot of the man with a concerned expression
on his face which suggests trouble for the girl.
We are shown a
tree with planks of wood nailed in which read phrases which are about pain and
agony and enjoying it which reiterates the idea of her being part of a training
camp. This is followed by the girl running into a compound area with groups of
boys in matching outfits presumably training with the asynchronous sound of buzzing in and
out of a building which could be associated with prison discharging. Non-diegetic
sounds of a helicopter accompany a different view of the building with people walking
through a glass-panelled tunnel. A tracking shot follows the girl through stairs
and into a room with guns and people loading or mending them. A point of view
shot shows he girl getting into a lift with only men and the doors shutting.
This is significant as it shows a male-dominant environment which she surrounds
herself in which could be useful to know later on in the film.
She
gets off the lift and walks to the office and non-diegetic dialogue can be
heard whilst she speaks to a man in a suit who she addresses, again, as ‘sir’
as he orders her to wait. This could be emphasising her position in this
location which could possibly be a student as she addresses these people
politely and with a superior level of respect. A pan shot shows her looking
around the office she was shown into with her hand together behind her back as
she stands looking around. This formal position suggests an uncomfortable
formality that she is requires to uphold which, again, implies a militant
aspect of her life. The screen then goes to blackout.
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ReplyDeleteYour style leans towards the descriptive at times but you do employ a range of film language terms that show understanding of how meanings and effects are created. The aim of the task - analysing a film opening - is to focus on how the genre itself functions, that is, how it works as a film opening to engage the audience's attention and set up the narrative for future development, how it promises interest but does not spoil the story.
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